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Ridley Scott & Kevin McDonald. More like Life in a Day of the Apocalypse. It ain’t exactly Blade Runner, but Ridley Scott (and fellow director Kevin McDonald) want YOU to star in their next film…kinda. Life in a Day 2020 is a sequel to Ridley’s 2011 film of the same name which was comprised entirely of submitted footage from around the world taken on a singular day in July 2010. The sequel takes the same approach — interested participants are encouraged to submit footage taken on July 25th, 2020, which will then be reviewed by over 30 individuals (including the lauded directors) to see if the footage is worth of the final cut. The only requirements are no music being played in the background of the footage and confirmation of consent of everyone featured. Intrigued auteurs can submit their footage until August 2nd, here.

DREAMRAVE

Eaton HK

Creative Direction / Branding / Experiential / Film / Digital

  • Musicians: Danny L. Harle / Yeti Out / Tygapaw / Sagg Napoli / Maximus MMC / Amber Akilla / Timoru / Victoria Sin / Yellow Tech / Asian Eyez / Yaya Bones / Zoe Marden
  • Artists: Adrian YuIan Glover
  • Venue: Eaton HK

Designed to recreate the four stages of sleep across 96 hours at Eaton HK during Hong Kong Art Week, Dreamrave is comprised of two interconnected interactive installations: a physical 350 square foot infinity tunnel with acrylic mirrors, a floor-to-ceiling LED wall, and a feedback looping camera; and an interactive livestream experience where participants can manipulate the visuals at the physical installation.

The piece simulates the human sleep cycle, split into 4 unique acts: SELF, ASCENSION, SUBMERSION, and VOID. Following a nonlinear narrative of a mind’s ego-death, each scene shows the perspective of one as they dream up a world rooted in reality, before ascending to hyperreality and plunging into the abyss and losing their sense of self. The digital web experience, developed in collaboration with interactive artist Ian Glover, connects participants online into the collective consciousness. Shot on 16mm film with an original score by electronic musician Danny L. Harle from P.C. Music, the audio-visual content is processed algorithmically with typography & live footage generated by participants both within the space via a feedback loop camera pointed at the screen, and participants online – so that each viewing is completely unique.

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